In this pale pink New York home, style is all about grace and comfort


Designate Casey Kenyon may not be a household name yet, but he’s worked quietly behind the scenes, Zelig-style, on some of the most brilliant projects. AD published in recent years. Now, with his own booming business and a slew of orders from both coasts, Kenyon is finally ready for his big shot. Her trajectory into the design stratosphere began after college, when Kenyon spent six years as an assistant to fashion superstar Marc Jacobs. “It was the best secondary education one could have. Marc has an incredible knowledge base, not just in fashion, but also in art and design. It was an education by fire – I had to learn to keep up with his incredibly fertile and active mind,” says the Virginia native.

A look at a corner of the living room.

When Jacobs bought a townhouse in Greenwich Village about a decade ago, Kenyon settled into the role of client representative, working alongside fashion guru and AD100 designers Thad Hayes, John Gachot and the late Paul Fortuna. “We’ve spent years collecting, building, perfecting,” Kenyon says of this extraordinary assignment. Once the house was completed, the designer left Jacobs orbit for internal roles at Gachot Studios, the office of Kelly Behun (another AD100 designer), and Device, where Kenyon served as design director. Two years ago, he put his vast experience in the world of design to good use and started his own business.

As with many young designers, Kenyon’s most compelling calling card is his own home, a ground-floor apartment in a Brooklyn brownstone, which he shares with his partner, the production designer. Jonathan Beck. Skillfully interwoven with colors, patterns, textures, and furnishings of distant pedigree and provenance, the apartment strikes a delicate balance between old-school New York residential finery and contemporary decorative brio. “It was really just a white box, a blank canvas,” Kenyon recalled. “My goal was to give it a sense of depth and history, to build a narrative that reflects my sensibility as a designer as well as the way Jonathon and I want to live.”

Charming details can be spotted in the dining room.

The designer bathed the living room in Farrow & Ball Dead Salmon and Plaster installation colors, creating a warm and inviting backdrop for an eclectic mix of furnishings that features an 18th-century Flemish tapestry unexpectedly posed above a Milo Baughman sofa. The time travel mix also includes club chairs upholstered in Ellington, Clarence House’s classic Jazz Age fabric, cascading parchment-topped cocktail tables, an Oushak rug, and a huge custom limed oak cabinet inspired by the work of Josef Hoffmann. The dining room is enveloped in a cocoon of panels upholstered in mouse-brown corduroy – an understated leaf for a bold Apparatus chandelier, a custom oblong marble table suited to the room’s tiny proportions, and dining chairs by Luigi Caccia Dominioni for Azucena.

The drama escalates in the couple’s master bedroom, swathed in shades of purple and burgundy, with Karl Springer lamps placed on Paul Evans bedside tables, a Jules Leleu chair in Prelle fabric, and a wonderful screen-headboard in coromandel. “It was my nod to Betty and Francois Catroux,” Kenyon says, describing the alluring ensemble. The inclusion of an African Dogon scale represents another decorative flourish approved by Catroux.

“A home should feel considered, but not overdetermined. No matter how accurately you calculate the mix of old, new and custom rooms, a home should feel warm and relaxed,” the designer believes. “I like to use color in a nuanced way, to find complex hues that change subtly depending on the time of day and what’s around them,” he adds. “At the end of the day, it’s the little things, like where exactly are you going to put your teacup and your newspaper. If there’s anything I’ve learned from people like Marc Jacobs and Paul Fortune, it’s is that style means nothing without grace and comfort.

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